Permanent secretary of the academy Sara Danius spoke to Ishiguro about his win around an hour after the announcement: He was very charming, nice and well-versed, of course. He said he felt very grateful and honoured, and that this is the greatest award you can receive.
She described Ishiguros writing as a mix of the works of Jane Austen and Franz Kafka, but you have to add a little bit of Marcel Proust into the mix, and then you stir, but not too much, and then you have his writings.
Hes a writer of great integrity. He doesnt look to the side, hes developed an aesthetic universe all his own, she said. Danius named her favourite of Ishiguros novels as The Buried Giant, but called The Remains of the Day a true masterpiece [which] starts as a PG Wodehouse novel and ends as something Kafkaesque.
He is someone who is very interested in understanding the past, but he is not a Proustian writer, he is not out to redeem the past, he is exploring what you have to forget in order to survive in the first place as an individual or as a society, she said, adding in the wake of last years uproar that she hoped the choice would make the world happy.
Thats not for me to judge. Weve just chosen what we think is an absolutely brilliant novelist, she said.
Ishiguros publisher at Faber & Faber, Stephen Page, said the win was absolutely extraordinary news.
Hes just an absolutely singular writer said Page, who received news of Ishiguros win while waiting for a flight at Dublin airport. He has an emotional force as well as an intellectual curiosity, that always finds enormous numbers of readers. His work is challenging at times, and stretching, but because of that emotional force, it so often resonates with readers. Hes a literary writer who is very widely read around the world.
Born in Japan, Ishiguros family moved to the UK when he was five. He studied creative writing at the University of East Anglia, going on to publish his first novel, A Pale View of the Hills, in 1982. He has been a full time writer ever since. According to the Academy, the themes of memory, time and self-delusion weave through his work, particularly in The Remains of the Day, which won Ishiguro the Booker prize in 1989 and was adapted into a film starring Anthony Hopkins as the duty-obsessed butler Stevens.
His more recent novels have taken a turn for the fantastical: Never Let Me Go is set in a dystopic version of England, while The Buried Giant, published two years ago, sees an elderly couple on a road trip through a strange and otherworldly English landscape. This novel explores, in a moving manner, how memory relates to oblivion, history to the present, and fantasy to reality, said the Swedish Academy. Apart from his eight books, which include the short story collection Nocturnes, Ishiguro has written scripts for film and television, and revealed on Thursday that he was also working on a graphic novel.
Im always working on a novel, but Im hoping to collaborate on comics – not superheroes, he said. But Im in discussions with people to work on a graphic novel, which excites me because its new for me and it reunited me with my childhood, reading manga.
Awarded since 1901, the 9m Swedish krona (832,000) Nobel prize is for the writing of an author who, in the words of Alfred Nobels bequest, shall have produced in the field of literature the most outstanding work in an ideal direction. Ishiguro becomes the 114th winner, following in the footsteps of writers including Seamus Heaney, Toni Morrison, Mo Yan and Pablo Neruda.
The award is judged by the secretive members of the Swedish Academy, who last year plumped for the American musician Dylan for having created new poetic expressions within the great American song tradition. He proved an elusive winner and was described as impolite and arrogant by academy member Per Wastberg after initially failing to acknowledge the honour.
Some members of the literary community were also less than impressed: This feels like the lamest Nobel win since they gave it to Obama for not being Bush, said Hari Kunzru at the time. The choice of a writer who has won awards including the Man Booker prize should pour oil on at least some of the troubled waters ruffled by Dylans win, though Will Self reacted to Ishiguros win in characteristically lugubrious fashion.
Hes a good writer, Self said, and from what Ive witnessed a lovely man, but the singularity of his vision is ill-served by such crushing laurels, while I doubt the award will do little to reestablish the former centrality of the novel to our culture.